{"id":1643,"date":"2023-11-23T11:01:50","date_gmt":"2023-11-23T10:01:50","guid":{"rendered":"https:\/\/marinewallon.fr\/?page_id=1643"},"modified":"2026-03-17T09:59:33","modified_gmt":"2026-03-17T08:59:33","slug":"text-2023-marie-maertans","status":"publish","type":"page","link":"https:\/\/marinewallon.fr\/?page_id=1643","title":{"rendered":"Text 2023, Marie Maertens"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\" style=\"font-size:28px\">Critical texts<\/h1>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-1643_1f39b4-c6 .kt-block-spacer{height:10px;}.wp-block-kadence-spacer.kt-block-spacer-1643_1f39b4-c6 .kt-divider{border-top-width:1px;height:1px;border-top-color:var(--global-palette1, #3182CE);width:80%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-1643_1f39b4-c6\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\"\/><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\">\n<p><code>2026<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=2381\/#go23\">Paul Ardenne<\/a><br><br><code>2025<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=2181\/#go21\">Thomas Delamarre<\/a><br><br><code>2024<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=1768\/#go0\">Dominique Pa\u00efni<\/a><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=1773\/#go1\">Elsa Hougue<\/a><br><br><code>2023<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=1388\/#go19\">Estelle Marois<\/a><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=146\/#go18\">Didier Semin<\/a><br><strong><strong><strong>\u2192<\/strong><\/strong> Marie Maertens<\/strong><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=197\/#go16\">Marie de Brugerolle &amp; Anne Dary<\/a><\/p>\n\n\n\n<p><code>2022<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=187\/#go17\">Guy Boyer<\/a><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=215\/#go15\">Benoit Blanchard &amp; Sarah Mercadante<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size\"><code>2021<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"230\" href=\"https:\/\/marinewallon.fr\/?page_id=230\/#go14\">Jo\u00ebl Riff<\/a><br>\u00b7 <a data-type=\"page\" data-id=\"232\" href=\"https:\/\/marinewallon.fr\/?page_id=232\/#go13\">Conversation<br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-theme-palette-1-color\">\u2014  <\/mark> Jennifer Douzenel \u2014 M. Wallon<\/a><br>\u00b7 <a data-type=\"page\" data-id=\"234\" href=\"https:\/\/marinewallon.fr\/?page_id=234\/#go12\">Horya Makhlouf<\/a><br><br><code>2020<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"236\" href=\"https:\/\/marinewallon.fr\/?page_id=236\/#go11\">Lignes Br\u00e8ves<\/a><br><br><code>2019<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"238\" href=\"https:\/\/marinewallon.fr\/?page_id=238\/#go10\">Jo\u00ebl Riff<\/a><br>\u00b7 <a data-type=\"page\" data-id=\"240\" href=\"https:\/\/marinewallon.fr\/?page_id=240\/#go9\">Entretien avec Karin Schlageter<\/a><br><br><code>2018&nbsp;<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"242\" href=\"https:\/\/marinewallon.fr\/?page_id=242\/#go8\">Sarah Ilher-Meyer<\/a><br>\u00b7 <a data-type=\"page\" data-id=\"244\" href=\"https:\/\/marinewallon.fr\/?page_id=244\/#go7\">Entretien avec Point Contemporain<\/a><br><br><code>2017<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"246\" href=\"https:\/\/marinewallon.fr\/?page_id=246\/#go6\">Anne Collongues<\/a><br>\u00b7 <a data-type=\"page\" data-id=\"248\" href=\"https:\/\/marinewallon.fr\/?page_id=248\/#go5\">Th\u00e9o-Mario Coppola<\/a><br><br><code>2015<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"250\" href=\"https:\/\/marinewallon.fr\/?page_id=250\/#go4\">Marianne Derrien,<br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-theme-palette-1-color\">\u2014  <\/mark><em>Le mirage des images<\/em><\/a><br><br><code>2014<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"252\" href=\"https:\/\/marinewallon.fr\/?page_id=252\/#go3\">Marion Delage de Luget,<br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-theme-palette-1-color\">\u2014  <\/mark><em>L&rsquo;horizontalit\u00e9 \u00e0 l\u2019\u0153uvre<\/em><\/a><br><br><code>2013&nbsp;<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"254\" href=\"https:\/\/marinewallon.fr\/?page_id=254\/#go2\">Marianne Derrien,<br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-theme-palette-1-color\">\u2014  <\/mark><em>Saxifraga Umbrosa<\/em><\/a><br><br><code>2011<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=256\/#go1b\">Anne Collongues<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:64%\">\n<h2 class=\"wp-block-heading\" id=\"go20\"><\/h2>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-1643_afb316-0d .kt-block-spacer{height:14px;}.wp-block-kadence-spacer.kt-block-spacer-1643_afb316-0d .kt-divider{border-top-width:1px;height:1px;border-top-color:var(--global-palette3, #1A202C);width:100%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-1643_afb316-0d\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\"\/><\/div><\/div>\n\n\n\n<p class=\"has-small-font-size\" id=\"mon-ancre\"><strong>Marine Wallon, la peinture en mouvement<\/strong><br><br><code><strong>FRA<\/strong><code><code>\u2014<\/code>\u2014<\/code>\u2014<\/code> <br>Les motifs de Marine Wallon, centr\u00e9s sur les th\u00e8mes des roches, du ciel, de la mer ou des champs, sont reconnaissables\u2026 Zoom\u00e9s et d\u00e9zoom\u00e9s, ils t\u00e9moignent d\u2019une certaine perception du paysage, dans laquelle l\u2019artiste d\u00e9veloppe sa picturalit\u00e9. D\u2019embl\u00e9e, elle r\u00e9sout la question du sujet en partant de captures d\u2019\u00e9crans de films, professionnels ou amateurs, la plupart du temps \u00e0 caract\u00e8re touristique. \u00ab Cela me permet de faire appel \u00e0 l\u2019ailleurs, explique-t-elle. Si je me suis concentr\u00e9e au d\u00e9part sur les \u00c9tats-Unis, j\u2019aime me dire qu\u2019aujourd\u2019hui, j\u2019ai des \u0153uvres qui proviennent des cinq continents\u2026 C\u2019est une mani\u00e8re de figurer le monde r\u00e9el, car il existe \u00e0 travers ces archives, tout en provoquant un d\u00e9placement g\u00e9ographique de l\u2019ordre de<br>l\u2019imaginaire. \u00bb<br>Apr\u00e8s une longue formation \u00e0 la pratique de l\u2019argile et du dessin, la peinture s\u2019est impos\u00e9e \u00e0 Marine Wallon, par l\u2019ampleur du geste et la possibilit\u00e9 d\u2019y faire circuler le regard. L\u2019artiste r\u00e9alise quelques croquis pr\u00e9paratoires puis laisse \u00ab parler \u00bb la peinture, dans un subtil \u00e9quilibre entre contr\u00f4le et l\u00e2cher-prise. \u00ab Mon regard doit alors \u00eatre tr\u00e8s concentr\u00e9, pour favoriser la libert\u00e9 du mouvement. \u00bb Elle assoit ainsi ce lien entre paysages reconnaissables et abstractions prononc\u00e9es, d\u00e9voilant au passage son admiration pour le peintre am\u00e9ricain Milton Avery.<br>S\u2019appuyant sur une narration peu d\u00e9finie, voire troubl\u00e9e, Marine Wallon travaille la dynamique de ses toiles, soit par un point de couleur vive qui va jouer avec les tonalit\u00e9s compl\u00e9mentaires, soit par un petit personnage qui \u00e9volue au c\u0153ur d\u2019un trac\u00e9 mati\u00e9riste et presque sculptural. \u00ab Plus que tout autre m\u00e9dium, la peinture autorise cette forme de surprise et de surgissement, qui emporte tout ! \u00bb, conclut elle.<\/p>\n\n\n\n<p class=\"has-text-align-right\">Marie Maertens<br>article dans \u00ab Connaissance des Arts \u00bb, Mars 2023<\/p>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-1643_dd748b-90 .kt-block-spacer{height:30px;}.wp-block-kadence-spacer.kt-block-spacer-1643_dd748b-90 .kt-divider{border-top-width:1px;height:1px;border-top-color:var(--global-palette1, #3182CE);width:80%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-1643_dd748b-90\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\"\/><\/div><\/div>\n\n\n\n<p class=\"has-small-font-size\"><strong>Marine Wallon, painting in movement<\/strong><br><br><strong><code>ENG<\/code><\/strong><code><code><code>\u2014<\/code>\u2014<\/code>\u2014<\/code> <br>Centered around the theme of rocks, the sky, sea and fields, Marine Wallon&rsquo;s motifs are recognisable\u2026 Zooming in and out, they bear witness to a certain way of perceiving the landscape through which the artist develops her pictorial approach. From the outset, she resolves the issue of the subjet by starting with screenshots from films by professionals or amateurs, most often of a touristic nature. \u00ab\u00a0It allows me to call upon the elsewhere,\u00a0\u00bb she explains. \u00ab\u00a0While I initially concentrated on the USA, I now like to say that I have works which come from all five continents\u2026 It is a way of depicting the real world as it exists in these archives, while triggering a geographical displacement for the imagination.\u00a0\u00bb<br>After long training in drawing and the use of clay, painting prevailed for Marine Wallon for the amplitude of the gesture it requires, and the way it allows the gaze to circulate within it. The artist makes preparatory sketches then invites painting to \u00ab\u00a0speak\u00a0\u00bb in a subtle balance between control and letting go. \u00ab\u00a0My gaze must then be highly focused, to encourage freedom of movement.\u00a0\u00bb She thus establishes a link between recognisable landscapes and powerful abstractions, unveiling, in so doing, her admiration for American painter Milton Avery.<br>Opting for open-ended, even blurred, narration, Marine Wallon concentrates on the momentum of her canvases, either with a dash of bright colour that plays with complementary tones, or by means of a little character who emerges from a textured, almost sculptural, shape. \u00ab\u00a0More than any other medium, painting allows for this kind of surprise and emergence, sweeping everything else away!\u00a0\u00bb<\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">Marie Maertens <br>article in \u00ab\u00a0Connaissance des Arts\u00a0\u00bb, March 2023<br>Translated from the French by Jill Harry<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Critical texts 2026\u00b7 Paul Ardenne 2025\u00b7 Thomas Delamarre 2024\u00b7 Dominique Pa\u00efni\u00b7 Elsa Hougue 2023\u00b7 Estelle Marois\u00b7 Didier Semin\u2192 Marie Maertens\u00b7 Marie de Brugerolle &amp; Anne Dary 2022\u00b7 Guy Boyer\u00b7 Benoit Blanchard &amp; Sarah Mercadante 2021\u00b7 Jo\u00ebl Riff\u00b7 Conversation\u2014 Jennifer Douzenel \u2014 M. Wallon\u00b7 Horya Makhlouf 2020\u00b7 Lignes Br\u00e8ves 2019\u00b7 Jo\u00ebl Riff\u00b7 Entretien avec Karin Schlageter&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Text 2023, Marie Maertens - MARINE WALLON<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/marinewallon.fr\/?page_id=1643\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Text 2023, Marie Maertens - MARINE WALLON\" \/>\n<meta property=\"og:description\" content=\"Critical texts 2026\u00b7 Paul Ardenne 2025\u00b7 Thomas Delamarre 2024\u00b7 Dominique Pa\u00efni\u00b7 Elsa Hougue 2023\u00b7 Estelle Marois\u00b7 Didier Semin\u2192 Marie Maertens\u00b7 Marie de Brugerolle &amp; Anne Dary 2022\u00b7 Guy Boyer\u00b7 Benoit Blanchard &amp; Sarah Mercadante 2021\u00b7 Jo\u00ebl Riff\u00b7 Conversation\u2014 Jennifer Douzenel \u2014 M. Wallon\u00b7 Horya Makhlouf 2020\u00b7 Lignes Br\u00e8ves 2019\u00b7 Jo\u00ebl Riff\u00b7 Entretien avec Karin Schlageter...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/marinewallon.fr\/?page_id=1643\" \/>\n<meta property=\"og:site_name\" content=\"MARINE WALLON\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-17T08:59:33+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/marinewallon.fr\/?page_id=1643\",\"url\":\"https:\/\/marinewallon.fr\/?page_id=1643\",\"name\":\"Text 2023, Marie Maertens - MARINE WALLON\",\"isPartOf\":{\"@id\":\"https:\/\/marinewallon.fr\/#website\"},\"datePublished\":\"2023-11-23T10:01:50+00:00\",\"dateModified\":\"2026-03-17T08:59:33+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/marinewallon.fr\/?page_id=1643#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/marinewallon.fr\/?page_id=1643\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/marinewallon.fr\/?page_id=1643#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/marinewallon.fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Text 2023, Marie Maertens\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/marinewallon.fr\/#website\",\"url\":\"https:\/\/marinewallon.fr\/\",\"name\":\"MARINE WALLON\",\"description\":\"\",\"alternateName\":\"marinewallon\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/marinewallon.fr\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Text 2023, Marie Maertens - MARINE WALLON","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/marinewallon.fr\/?page_id=1643","og_locale":"fr_FR","og_type":"article","og_title":"Text 2023, Marie Maertens - MARINE WALLON","og_description":"Critical texts 2026\u00b7 Paul Ardenne 2025\u00b7 Thomas Delamarre 2024\u00b7 Dominique Pa\u00efni\u00b7 Elsa Hougue 2023\u00b7 Estelle Marois\u00b7 Didier Semin\u2192 Marie Maertens\u00b7 Marie de Brugerolle &amp; Anne Dary 2022\u00b7 Guy Boyer\u00b7 Benoit Blanchard &amp; Sarah Mercadante 2021\u00b7 Jo\u00ebl Riff\u00b7 Conversation\u2014 Jennifer Douzenel \u2014 M. 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