{"id":230,"date":"2023-09-12T23:13:41","date_gmt":"2023-09-12T21:13:41","guid":{"rendered":"https:\/\/marinewallon.fr\/?page_id=230"},"modified":"2026-03-17T09:59:52","modified_gmt":"2026-03-17T08:59:52","slug":"text-2021-joel-riff","status":"publish","type":"page","link":"https:\/\/marinewallon.fr\/?page_id=230","title":{"rendered":"Text 2021, Jo\u00ebl Riff"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\" style=\"font-size:28px\">Critical texts<\/h1>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-230_66aaf5-24 .kt-block-spacer{height:10px;}.wp-block-kadence-spacer.kt-block-spacer-230_66aaf5-24 .kt-divider{border-top-width:1px;height:1px;border-top-color:var(--global-palette1, #3182CE);width:80%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-230_66aaf5-24\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\"\/><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:38%\">\n<p><code>2026<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=2381\/#go23\">Paul Ardenne<\/a><br><br><code>2025<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=2181\/#go21\">Thomas Delamarre<\/a><br><br><code>2024<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=1768\/#go0\">Dominique Pa\u00efni<\/a><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=1773\/#go1\">Elsa Hougue<\/a><br><br><code>2023<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=1388\/#go19\">Estelle Marois<\/a><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=146\/#go18\">Didier Semin<\/a><br>\u00b7 <a data-type=\"page\" data-id=\"1643\" href=\"https:\/\/marinewallon.fr\/?page_id=1643\/#go20\">Marie Maertens<\/a><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=197\/#go16\">Marie de Brugerolle &amp; Anne Dary<\/a><\/p>\n\n\n\n<p><code>2022<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=187\/#go17\">Guy Boyer<\/a><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=215\/#go15\">Benoit Blanchard &amp; Sarah Mercadante<\/a><br><br><code>2021<\/code><br><strong><strong><strong><strong>\u2192<\/strong><\/strong> <\/strong>Jo\u00ebl Riff<\/strong><br>\u00b7 <a data-type=\"page\" data-id=\"232\" href=\"https:\/\/marinewallon.fr\/?page_id=232\/#go13\">Conversation<br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-theme-palette-1-color\">\u2014  <\/mark> Jennifer Douzenel \u2014 M. Wallon<\/a><br>\u00b7 <a data-type=\"page\" data-id=\"234\" href=\"https:\/\/marinewallon.fr\/?page_id=234\/#go12\">Horya Makhlouf<\/a><br><br><code>2020<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"236\" href=\"https:\/\/marinewallon.fr\/?page_id=236\/#go11\">Lignes Br\u00e8ves<\/a><br><br><code>2019<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"238\" href=\"https:\/\/marinewallon.fr\/?page_id=238\/#go10\">Jo\u00ebl Riff<\/a><br>\u00b7 <a data-type=\"page\" data-id=\"240\" href=\"https:\/\/marinewallon.fr\/?page_id=240\/#go9\">Entretien avec Karin Schlageter<\/a><br><br><code>2018&nbsp;<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"242\" href=\"https:\/\/marinewallon.fr\/?page_id=242\/#go8\">Sarah Ilher-Meyer<\/a><br>\u00b7 <a data-type=\"page\" data-id=\"244\" href=\"https:\/\/marinewallon.fr\/?page_id=244\/#go7\">Entretien avec Point Contemporain<\/a><br><br><code>2017<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"246\" href=\"https:\/\/marinewallon.fr\/?page_id=246\/#go6\">Anne Collongues<\/a><br>\u00b7 <a data-type=\"page\" data-id=\"248\" href=\"https:\/\/marinewallon.fr\/?page_id=248\/#go5\">Th\u00e9o-Mario Coppola<\/a><br><br><code>2015<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"250\" href=\"https:\/\/marinewallon.fr\/?page_id=250\/#go4\">Marianne Derrien,<br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-theme-palette-1-color\">\u2014  <\/mark><em>Le mirage des images<\/em><\/a><br><br><code>2014<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"252\" href=\"https:\/\/marinewallon.fr\/?page_id=252\/#go3\">Marion Delage de Luget,<br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-theme-palette-1-color\">\u2014  <\/mark><em>L&rsquo;horizontalit\u00e9 \u00e0 l\u2019\u0153uvre<\/em><\/a><br><br><code>2013&nbsp;<\/code><br>\u00b7 <a data-type=\"page\" data-id=\"254\" href=\"https:\/\/marinewallon.fr\/?page_id=254\/#go2\">Marianne Derrien,<br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-theme-palette-1-color\">\u2014  <\/mark><em>Saxifraga Umbrosa<\/em><\/a><br><br><code>2011<\/code><br>\u00b7 <a href=\"https:\/\/marinewallon.fr\/?page_id=256\/#go1b\">Anne Collongues<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:64%\">\n<h2 class=\"wp-block-heading\" id=\"go14\"><\/h2>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-230_dd7525-d5 .kt-block-spacer{height:14px;}.wp-block-kadence-spacer.kt-block-spacer-230_dd7525-d5 .kt-divider{border-top-width:1px;height:1px;border-top-color:var(--global-palette3, #1A202C);width:100%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-230_dd7525-d5\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\"\/><\/div><\/div>\n\n\n\n<p class=\"has-small-font-size\" id=\"go\"><code>FRA<code><code>\u2014<\/code>\u2014<\/code>\u2014<\/code> <br>Marine Wallon traite la couleur en paysage. Chacune des teintes qu&rsquo;elle \u00e9tire scrupuleusement sur la surface de la toile, participe d&rsquo;une \u00e9tendue panoramique. Avec fermet\u00e9, elle configure des terrains accident\u00e9s aux cro\u00fbtes exquises. Une fougue dicte sa gestuelle funambule, en r\u00e9ajustement, toujours sur l&rsquo;ar\u00eate. Sa tectonique est chromatique. <br>\u00a0<br>Beige fossile. Garance bleut\u00e9e. Amande pas m\u00fbre.\u00a0<br><br>Marine Wallon y plonge. Les coloris sont son milieu. Elle \u00e9volue en leur sein avec aisance et gourmandise, dans son \u00e9l\u00e9ment. Et cet environnement rocailleux affirme une rugosit\u00e9 sur laquelle on ne ripe pas. Est assur\u00e9 l&rsquo;aplomb n\u00e9cessaire pour n\u00e9gocier les parois, support id\u00e9al pour la lumi\u00e8re des sommets. Ces versants sont des laboratoires r\u00e9tiniens.\u00a0<br><br>Noir de nuit. Bleu glissant. Framboise au soleil.<br><br>Marine Wallon pratique la varappe picturale. Elle entra\u00eene \u00e0 un alpinisme par l\u2019\u0153il, ce rapport physique aux reliefs. Notre regard cramponne. L&rsquo;adr\u00e9naline irrigue cette discipline optique \u00e0 laquelle nous nous adonnons, sollicitant endurance, \u00e9quilibre et souplesse. Ascensionniste, l&rsquo;artiste s&rsquo;\u00e9l\u00e8ve pour mieux accorder de la hauteur, jusqu&rsquo;au vertige.\u00a0<br><br>Ardoise frott\u00e9e. Mauve berlingot. Rouge volcan.\u00a0<br><br>Marine Wallon d\u00e9gage des vues. Elle op\u00e8re selon ce romantisme qui se mesure aux immensit\u00e9s, aboutissant toujours au choc. Car on se cogne. Le caprice m\u00e9t\u00e9orologique, la verticalit\u00e9 de la falaise, la permanence du vent, le risque du pr\u00e9cipice, l&rsquo;arriv\u00e9e de la temp\u00eate, contribuent \u00e0 un \u00e9tat d&rsquo;alerte. La catastrophe peut surgir. Furieusement. \u00a0<br><br>Fuchsia tendre. Bleu tumulte. Orange qui s&rsquo;enroule. \u00a0<br><br>Marine Wallon dompte. Une certaine brutalit\u00e9 orchestre son objectif d&rsquo;apprivoisement. La mani\u00e8re dont elle manie la palette rel\u00e8ve du dressage. Elle cravache. Une d\u00e9termination franche s&rsquo;applique \u00e0 faire respecter soumissions et affranchissements, par le magma plut\u00f4t que le contour. Intensit\u00e9 et tension r\u00e8gnent en chaque recoin.\u00a0<br><br>For\u00eat s\u00e8che. Outremer violet mousseux. Rose soutenu. \u00a0<br><br>Marine Wallon nous en sert des tranches. Ses morceaux de mati\u00e8re racl\u00e9e t\u00e9moignent d&rsquo;une onctuosit\u00e9 vivace, qu&rsquo;elle triture jusqu&rsquo;au bout. Elle livre des carnations sans carnage. Ses pinceaux sont ses couteaux, qui lui permettent de d\u00e9biter les impressions atmosph\u00e9riques. \u00c0 l&rsquo;image d&rsquo;une extraction g\u00e9ologique, elle fend le plein air.\u00a0<br><br>Terre mouill\u00e9e. Saumon nacr\u00e9. Cr\u00e9pis violet.\u00a0<br><br>Marine Wallon d\u00e9couvre le jeu des gammes lors de sa formation, non pas en cours de peinture, mais de modelage. Le potentiel tactile de chacune des tonalit\u00e9s qu&rsquo;elle observait alors parmi les appellations des pots d&rsquo;engobes et d&rsquo;\u00e9maux, semble nourrir durablement un app\u00e9tit flagrant, tourn\u00e9 vers la p\u00e2te, obtenue par combinaisons infinies.\u00a0<br><br>Miel fonc\u00e9. Vert chlorophylle. \u00c9clats citron d&rsquo;or. \u00a0<br><br>Marine Wallon alors, pendant que nous cherchons \u00e0 les nommer, naviguons en son orographie,\u00a0pensons \u00e0 des \u00e9quivalences, exp\u00e9rimentons leurs climats, r\u00e9veillons ces titres impressionnistes,\u00a0givre et neige, effet de soleil, brise d\u2019\u00e9t\u00e9, au cr\u00e9puscule, d\u00e9gel, soir de mars, lev\u00e9e du brouillard,\u00a0matin d\u2019hiver, clair de lune, elle, les peint.<\/p>\n\n\n\n<p class=\"has-text-align-right\">Jo\u00ebl Riff, 2021<\/p>\n\n\n\n<p class=\"has-small-font-size\"><br><code>ENG<code>\u2014\u2014<\/code>\u2014<\/code> <br>Marine Wallon treats colours in landscapes. Each shade that she scrupulously stretches on the surface of the canvas participates in a panoramic expansion. With firmness, she configures uneven grounds with exquisite crusts. Ardour directs her tightrope walking gestures, in readjustment, always on the edge. Her tectonic is chromatic. \u00a0<br><br>Fossil beige. Bluish madder. Unripe almond.\u00a0<br><br>Marine Wallon dives in. Colours are her environment. She evolves within them with ease and delicacy, in her element. And this rocky environment asserts a roughness one clings on to. It is assured the plumbness necessary to negotiate the rock walls, an ideal support for the light of the summits. The slopes are retinal laboratories.\u00a0<br><br>Midnight black. Slippery blue. Sunlight raspberry. \u00a0<br><br>Marine Wallon practices pictorial rock climbing. She trains for a mountaineering with the eye, a physical relationship to the reliefs. Our gaze grasps. The adrenalin irrigates this optical discipline to which we devote ourselves, soliciting endurance, balance and flexibility. Alpinist, the artist rises to gain height, to the point of vertigo.\u00a0<br><br>Rubbed slate. Purple berlingot. Volcano red.\u00a0<br><br>Marine Wallon clears views. She operates according to this romanticism measured with immensities, always leading to a shock. Because we collide. The meteorological caprice, the verticality of the cliff, the permanence of the wind, the risk of the precipice, the arrival of the storm, all contribute to a state of alert. The catastrophe can occur. Furiously.\u00a0<br><br>Tender fuchsia. Tumultuous bleu. Curling orange. <br><br>Marine Wallon tames. A certain brutality orchestrates her objective of subduing. The way she handles the palette is like training. She whips. A frank determination is applied for submission and emancipation to comply, by magma rather than contour. Intensity and tension reign in every corner.\u00a0<br><br>Dry forest. Foamy violet ultramarine. Deep pink.\u00a0<br><br>Marine Wallon serves us slices. Her pieces of scraped matter testify to a lively unctuousness that she pummels until the end. She delivers carnations without carnage. Her brushes are her knives, which allow her to cut out atmospheric impressions. Like a geological extraction, she splits the open air.\u00a0<br><br>Wet earth. Pearly salmon. Parged purple. \u00a0<br><br>Marine Wallon discovered the game of scales in her training, not in painting courses, but in modelling. The tactile potential of each tone that she observed among the labels of the pots of slips and enamels seems to nourish an obvious appetite, turned to paste, obtained by infinite combinations.\u00a0<br><br>Dark honey. Chlorophyl green. Slivers of golden lemon. \u00a0<br><br>While we seek to name them, navigating in her orography, thinking of equivalences, experiencing their climates, waking up these impressionist titles\u2013 frost and snow, sunshine effect, summer breeze, in the twilight, thaw, evening of March, lifting of the fog, morning of winter, moonlight\u2013 Marine Wallon paints them. \u00a0<br><\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">Jo\u00ebl Riff, 2021&nbsp;<br>Translated from the French by Katia Porro<\/p>\n\n\n\n<p style=\"font-size:15px\">&nbsp;<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Critical texts 2026\u00b7 Paul Ardenne 2025\u00b7 Thomas Delamarre 2024\u00b7 Dominique Pa\u00efni\u00b7 Elsa Hougue 2023\u00b7 Estelle Marois\u00b7 Didier Semin\u00b7 Marie Maertens\u00b7 Marie de Brugerolle &amp; Anne Dary 2022\u00b7 Guy Boyer\u00b7 Benoit Blanchard &amp; Sarah Mercadante 2021\u2192 Jo\u00ebl Riff\u00b7 Conversation\u2014 Jennifer Douzenel \u2014 M. Wallon\u00b7 Horya Makhlouf 2020\u00b7 Lignes Br\u00e8ves 2019\u00b7 Jo\u00ebl Riff\u00b7 Entretien avec Karin Schlageter&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Text 2021, Jo\u00ebl Riff - MARINE WALLON<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/marinewallon.fr\/?page_id=230\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Text 2021, Jo\u00ebl Riff - MARINE WALLON\" \/>\n<meta property=\"og:description\" content=\"Critical texts 2026\u00b7 Paul Ardenne 2025\u00b7 Thomas Delamarre 2024\u00b7 Dominique Pa\u00efni\u00b7 Elsa Hougue 2023\u00b7 Estelle Marois\u00b7 Didier Semin\u00b7 Marie Maertens\u00b7 Marie de Brugerolle &amp; Anne Dary 2022\u00b7 Guy Boyer\u00b7 Benoit Blanchard &amp; Sarah Mercadante 2021\u2192 Jo\u00ebl Riff\u00b7 Conversation\u2014 Jennifer Douzenel \u2014 M. Wallon\u00b7 Horya Makhlouf 2020\u00b7 Lignes Br\u00e8ves 2019\u00b7 Jo\u00ebl Riff\u00b7 Entretien avec Karin Schlageter...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/marinewallon.fr\/?page_id=230\" \/>\n<meta property=\"og:site_name\" content=\"MARINE WALLON\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-17T08:59:52+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/marinewallon.fr\/?page_id=230\",\"url\":\"https:\/\/marinewallon.fr\/?page_id=230\",\"name\":\"Text 2021, Jo\u00ebl Riff - MARINE WALLON\",\"isPartOf\":{\"@id\":\"https:\/\/marinewallon.fr\/#website\"},\"datePublished\":\"2023-09-12T21:13:41+00:00\",\"dateModified\":\"2026-03-17T08:59:52+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/marinewallon.fr\/?page_id=230#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/marinewallon.fr\/?page_id=230\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/marinewallon.fr\/?page_id=230#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/marinewallon.fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Text 2021, Jo\u00ebl Riff\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/marinewallon.fr\/#website\",\"url\":\"https:\/\/marinewallon.fr\/\",\"name\":\"MARINE WALLON\",\"description\":\"\",\"alternateName\":\"marinewallon\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/marinewallon.fr\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Text 2021, Jo\u00ebl Riff - MARINE WALLON","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/marinewallon.fr\/?page_id=230","og_locale":"fr_FR","og_type":"article","og_title":"Text 2021, Jo\u00ebl Riff - MARINE WALLON","og_description":"Critical texts 2026\u00b7 Paul Ardenne 2025\u00b7 Thomas Delamarre 2024\u00b7 Dominique Pa\u00efni\u00b7 Elsa Hougue 2023\u00b7 Estelle Marois\u00b7 Didier Semin\u00b7 Marie Maertens\u00b7 Marie de Brugerolle &amp; Anne Dary 2022\u00b7 Guy Boyer\u00b7 Benoit Blanchard &amp; Sarah Mercadante 2021\u2192 Jo\u00ebl Riff\u00b7 Conversation\u2014 Jennifer Douzenel \u2014 M. 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